MALE VOICE PRAISE
By
L. R.
BLOXHAM
‘THE movement known as the Festival of Male Voice Praise began in Scotland during 1934 and, recruiting its strength from small groups selected from local choirs, has developed over the years into a large organisation. The choir gives yearly concerts in London under James McRoberts, the présent conductor. Mr McRoberts is noted for his technique of studied simplicity and his emphasis on expression and diction; and to aid this the massed singing is unaccompanied. The movement, which eventually spread to all Commonwealth countries, reached New Zealand last when, towards the end of 1955, the Choir for the Festival of Male Voice Praise was formed, in Christchurch by a number of interested men from the city’s Open Brethren Assemblies. The Choir gave its first performance in October last year at Christchurch. For three evenings the 50 members sang to capacity
houses of more than 1100 people at each performance. The Choir’s conductor, Ezra M. Coppin, formed the widely-known Tory Street Choir in Wellington, which was under his baton for many years. Mr Coppin was living in Christchurch when the Male Voice Choir was formed, but after the Festival he was transferred from his position as headmaster of a Christchurch primary school to a similar position in the Hutt Valley. However, at the request of interested people in Christchurch, who offered to meet expenses, he consented to become visiting conductor. So he now travels south at least once a fortnight to continue the work in the city where, as a young teacher, he trained choirs which were heard regularly in 3YA’s Children’s Sessions in the’ late 1920s. Recently two planes were chartered to fly the Choir to Wellington, where it gave three performances in the Town Hall. About 5000 people heard the Festival. The Christchurch Festival of Male Voice Praise has become so popular that a well-known recording company has recorded it singing 13 hymns of praise. This long playing record has just been released, and will be on sale in many countries overseas as well as in New Zealand. The Choir will give two more concerts in the Civic Theatre, Christchurch, later this year. (In the picture of the Choir in the Civic Theatre, Christchurch, at the top of this page, H. Yeoman is at the organ, and seated, from left, are: J. Rommeril, P. A, Laidlaw, E. M. Coppin (conductor), C. Cross and G. Ayo.)
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19570524.2.37
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 36, Issue 928, 24 May 1957, Page 21
Word count
Tapeke kupu
402MALE VOICE PRAISE New Zealand Listener, Volume 36, Issue 928, 24 May 1957, Page 21
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.