PEPYS PIPES
"BUT what did please me _ beyond anything in the whole world was the wind musique when the angel comes down; which is so sweet that it ravished me, and indeed in a word, did wrap up my soul so that it made me really sick, just as I have formerly been when in love with my wife; so that neither then, nor all the evening going home, was I able to think of anything, but remained all night transported, so as I cannot believe that ever any musique hath that real command over the soul of man as this did upon me; and makes me resolve to practise wind-musique, and to make my wife do the like." This is from the diary of Samuel Pepys who had just been to a play he did not think much of-The Virgin Martyr. But it started him off on another instrument and six weeks later he went to Drumbleby’s and bought a recorder. These and other amusing scenes can be heard in Musical Gleanings from \the Diary of Samuel Pepys-a series of programmes with narration in dialogue form by R,
R. Beauchamp and oC. Ao ren at | present being broadcast from 3YC on Tuesday evenings at 7.0 p.m
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570517.2.24
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New Zealand Listener, Volume 36, Issue 927, 17 May 1957, Page 15
Word count
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207PEPYS PIPES New Zealand Listener, Volume 36, Issue 927, 17 May 1957, Page 15
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.