Speaking Likeness
CANNOT say when a programme more delighted me than Captain Davey’s Portrait from Life. As rich, salty, and vigorous as a chapter from Conrad, this radio portrait eclipses all the others by its ripeness and rotundity, The old salt (I hope he will forgive this term; it seems entirely appropriate) is a splendid speaker, with a feeling for the robust image, and the deep satisfaction of a man whose life has been well spent. And for once, the glassy, oversmooth commentary was _ properly balanced with the sitter; it formed an excellent counterpoint to the warm ruminations of this most likeable speaker. Captain Davey gave a forthright account of life at sea in the days before steam; no bed of roses, perhaps, but always invigorating. Without rancour, he created a vivid contrast with the conditions of a young man going to sea now. My favourite passage, which I still recall with a chuckle, was his hilarious account of falling forty feet from the mast on to the captain taking the sun in his deck chair; he collapsed the chair, and flattened the captain, who was not seen on deck for three days. On shanties, too, he was most illuminating, remarking that "the better the shanty, the better the ship," and explaining their practical importance; that without a compulsive rhythm, some heavy sails
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19570315.2.31.3
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 36, Issue 918, 15 March 1957, Page 20
Word count
Tapeke kupu
223Speaking Likeness New Zealand Listener, Volume 36, Issue 918, 15 March 1957, Page 20
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.