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SERENADE

(Warner Bros.) . G Cert. AMES M. CAIN, who curled our hair back in 1934 with The Postman Always Rings Twice, wrote another novel four years later called Serenade, which (and I quote from the reference books) concerned an ageing degenerate baritone. To make a vehicle for the ageing Mario Lanza-the middle-aged spread is there, anyway-the tone of Caii:’s original has been raised an octave to give us a tenor who, as it happens, is not degenerate at all, but just becomes a bit mixed up inside. And, of course, in the hands of the right woman even a neurotic tenor can get unscrambled. It’s true that if I could sing half as well as Lanza can I wouldn't be pounding this typewriter, but it’s equally true that Lanza doesn’t sing half as well as Lanza could. And when he tears off "Farewell to Sorrento" with all stops out and the kitchen china rattling he sounds like a candidate for The Goon Show.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19570308.2.12.1.3

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 36, Issue 917, 8 March 1957, Page 7

Word count
Tapeke kupu
163

SERENADE New Zealand Listener, Volume 36, Issue 917, 8 March 1957, Page 7

SERENADE New Zealand Listener, Volume 36, Issue 917, 8 March 1957, Page 7

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