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The Ides of March

GHAKESPEARE’S Julius Caesar begins magnificently: what more arresting than the irritable Flavius and Marcellus upbraiding the citizenry for their holiday guise, how better underline the discontent of little men with Ceesar’s growing pomp? The play mcunts in excitement: will Caesar go, will he not; he goes, is stabbed, and then we have one of the greatest scenes in dramatic literature, the orations over the body, and the most subtle and penetrating account of mob psychology ever written. This is the peak of the play, and the last two acts cannot sustain

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19570301.2.43.4

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 36, Issue 916, 1 March 1957, Page 20

Word count
Tapeke kupu
95

The Ides of March New Zealand Listener, Volume 36, Issue 916, 1 March 1957, Page 20

The Ides of March New Zealand Listener, Volume 36, Issue 916, 1 March 1957, Page 20

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