Presentation
EDITATING on several miscellaneous programmes I’ve heard this year, I have come to the conclusion
that one reason why some of them vaguely disappoint is the lack of what cinema-managers call "presentation." Now that long-playing records are ubiquitous, it is comparatively easy to schedule sessions like Jane Froman Sings, Groucho Marx Entertains, or Frankie Carle Plays. But it is a poor long-playing disc-cover that does not supply enough information to enliven the introduction of such programmes. Some artists and pieces are so wellknown that introductory remarks would be irritating; others would surely gain something from a word about the artist or song. Rack my memory as I might, I could not remember from what particular films the: Groucho numbers came, and mentally damned the announcer as a benighted non-Marxist. Nor could I follow more than a few phrases of a group of French "pops," which even a list of titles would have illuminated. Station 1YA rarely helps us out; in the more shirt-sleeved atmosphere of 1YD the nude numbers are often clothed in a decent commentary, Something of the technique used so ably in Sunday Showcase introductions would brighten up for me, at least, sessions which sometimes sound as if they are unwinding from some aerial sausage-machine.
J.C.
R.
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New Zealand Listener, Volume 36, Issue 914, 15 February 1957, Page 17
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210Presentation New Zealand Listener, Volume 36, Issue 914, 15 February 1957, Page 17
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.