Dante's Inferno
|N the early morning of the Friday be- | fore Easter in the year 1300, the poet | Dante found himself, in a metaphorical | sense, lost in a forest, his way out barred | by a wolf, a lion and a leopard. Soon, | however, a helper appeared, the poet | Virgil, who explained that he had been instructed by three ladies on high to | guide him through the perils of the In-_ ferno and Purgatory back to the seat | of the godhead. So begins Dante's great | allegory, The Divine Comedy, whose aim, says the poet, is not to delight but to re- | prove and exhort, and help form men’s | ; | 7 characters by showing them the perils of life. Such a severe and practical aim has not prevented subsequent ages en- | joying the poem and continually re- | translating it to suit the language of the time. The BBC has now issued a new, series of six readings from the first book of The Inferno with Marius Goring and Esme Percy reading the parts of Dante and Virgil respectively, These will be heard from 1YC on February 9 and 3YC_ on February 5. :
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19570201.2.21
Bibliographic details
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New Zealand Listener, Volume 36, Issue 912, 1 February 1957, Page 11
Word count
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189Dante's Inferno New Zealand Listener, Volume 36, Issue 912, 1 February 1957, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.