Youth Concerts
| \V HEN Sir Bernard Heinze was here he showed great interest in our youth concerts. In Australia he had had a lot to do with starting them off. "The first youth concerts» we held produced an incredible sequence of events," he said. "The initial concert in Sydney was an explosion. Then the young people became so vociferous in their demands for more that providing the
concerts became slightly embarrassing. In Sydney and Melbourne as soon as the offices closed, young people would sit through the night in queues that tailed more than half-way around an office block. "We presented a plan to the ABC which . stinulated
a=." _ | that the prices should be the same all | over the house, so that the more hand- } somely privileged financially should not score over those less well-off. We thought a florin should be able to buy the best seat in the house. "The young people were invited to decide what they wished to hear, who should conduct and which soloists they wanted. This plan has had to be modified slightly because we now have three audiences for each programme, and the best part of a thousand subscribers in both Sydney and Melbourne, and the same proportion holds in the other States. These concerts have had an incredibly stimulating effect on the demand for good music."
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19561102.2.57
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 35, Issue 900, 2 November 1956, Page 30
Word count
Tapeke kupu
223Youth Concerts New Zealand Listener, Volume 35, Issue 900, 2 November 1956, Page 30
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.