@LLARo First with 9 4 speeds RC '456' 4 speed Auto Record Changer with MANUAL PLAY facility for single records PRICE 8 213.[9.6 Now ! An exciting new musical thrill awaits you at your local radio dealer _ when you hear the new Collaro RC456 Record Changer _ the first in New Zealand to offer FOUR speeds. Now you can play 333, 45, 78 RPM: and I63 RPM: for 'talking books records. Other features you will admire about this brand- ~new COLLARO changer include: MANUAL PLAY_Manual/- Automatic control is operated eliminates 66 'running switch when placed in MANUAL down effect. changer 1S placed out of cycle: RusitistohSGARy switch then only CONSTANT SPEED CHANGE stops or starts the turntable and the CYCLE ON ALL RECORDS pick-up can be placed on any part of the 'The change mechanism is driven record wichout the AUTOMATIC directly from the motor; thus the STOP operating: When switch is drive O the turntable iS nor sub- placed on AUTOMATIC position the jected tO heavy loads during the changer will operate and cycle normally. changing cycle: The accurate driving surfaces of the pulleys are therefore NEW PICK-UP ARM Of improved preserved without wear or damage: appearance the arm has been designed with greatly reduced resonance characteristics. Ball bearings with their When You buy a radiogram be associated resonances have been entirely sure it is fitted with a Collaro climinated. changer for perfect record PICK-UP LIFT MECHANISM reproduction. Immediate lift of pick-up when "Reject' 9> See and hear the new Collaro four-speed changer at your radio and electrical dealer' s. NZ: Distributors RUSSELL IMPORT CO_ LTD: P.o Box 102, Wellington. C56-6
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19560817.2.4.1
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New Zealand Listener, Volume 35, Issue 889, 17 August 1956, Page 2
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270Page 2 Advertisement 1 New Zealand Listener, Volume 35, Issue 889, 17 August 1956, Page 2
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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