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Marcel on Radio

"HE broadcast of the NZBS production of The Funeral Pyre (1YC) was something of an event-the first time, 1 think, that one of Gabriel Marcel’s plays has been presented on New Zealand radio. Marcel, although the first modern French existentialist, and in dramatic interest at least the equal of Sartre and Camus, has never had the vogue of the other two, perhaps because, as Christian existentialism, his drama lacks the acridity and gloom of atheist existentialism, which chimed in with the immediately post-war mood. Yet, as The Funeral Pyre showed. his existentialist theme that real life cannot be reduced to abstract thought, is embodied in arresting terms, implying a deep knowledge of the human heart.. Davina Whitehouse, as Aline Fortier, who, by consecrating her whole life to the memory of her dead son, distorts the personality of his fiancée, Mireille, gave a strong, mature performance, Pacdy Turner as Mireille and Kenneth Firth as André, the weakling she marries, were more than competent. Only Roy Ley-| wood seemed to have too young and vigorous a voice for M. Fortier. I found this most satisfying intellectual drama, marred only by the compression of Cyn-

thia Pugh’s adaptation, which somewhat impaired both the rhythm of the play, and its ending.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19560803.2.46.5

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 35, Issue 887, 3 August 1956, Page 23

Word count
Tapeke kupu
210

Marcel on Radio New Zealand Listener, Volume 35, Issue 887, 3 August 1956, Page 23

Marcel on Radio New Zealand Listener, Volume 35, Issue 887, 3 August 1956, Page 23

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