We proudly present the originxe recording that becamnne Cnb overnight sensation in US.A: FESS PARKER sings from the sound track of the Disneyland Tv production 8 21565 H The Ballad of Philips DAVY CROCKETT Davy Crockett; the Indian fighter, hero of the epic stand at the Alamo, has really captured the imagination of young America ever since Walt Disney immortalised his legend on film. Davy Crockett was the rugged pioneer who knew no fear. Amongst other things "he kil't him a barr when he was only three" in the words of the song: So completely has Davy Crockett fever entrenched itself in the United States that whole new industries have been created to satisfy the demand for Davy Crockett coon skin caps; suits, shirts etc , Davy Crockett compasses knives; toys and SO on: It is small wonder that every child in the U.S: has become a Davy Crockett follower; and Fess Parker' s recording of the ballad is now a firm favourite over here too: The backing is "I Gave My Love" (Riddle Song) also by Fess Parker from the Disney Show. Also from the same production: "Farewell" and B 21566 H MTm Lonely My Darlin' (Green Grow the Lilacs) FESS PARKER HAV E YoU HEARD THESE NEW RELEASES? 8 21532 H "The Fish" and Bring Me Your Love MINDY CARSON B 21603 H "Taking 8 Chance on Love 4 and 'My Love for You JOHNNIE RAY P 26158 H "A Fool in the Ways of Love 0 and 4 Love You More DAVID HUGHES P: 26168 H "La Mer and Dance of Granada" BILL McGUFFIE I0" POPULAR 5/6 Ask for them at Your favourite record storo PHILIPS 7k Pcods % # Gnty PHILIPS ELECTRICAL INDUSTRIES OF NEW ZEALAND LIMITED Famous for Lamps, Radio, Television and Record Playing Equipment PD 34
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19560525.2.37.2
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New Zealand Listener, Volume 34, Issue 877, 25 May 1956, Page 18
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299Page 18 Advertisement 2 New Zealand Listener, Volume 34, Issue 877, 25 May 1956, Page 18
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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