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MUSICAL CRITICISM

Sir,-In your issue of April 13 there was a criticism by "Sebastian" of the performance of St. Matthew Passion by the Royal Christchurch Musical Society. "Sebastian" refers to the soprano solos being sung by Marjorie Rowley, as stated in The Listener of that week, but they were in fact taken by Dora Drake, as Marjorie Rowley was temporarily

indisposed. Dora Drake’s name was read out several times by the announcer, before, during and after the concert, but evidently "Sebastian" did not listen very attentively to the broadcast. He was also unable to identify the "two asses." This was due to a slight error in The Listener in calling both men basses, and its programme should have read: "Winston Sharp, baritone, and Gordon Griffiths, bass," as did the Society’s programme. Would it not be possible to have more accurate listening and reporting of musical events such as

tnis?

ACCURACY

PLEASE

(Christchurch)

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19560427.2.12.7

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 34, Issue 873, 27 April 1956, Page 5

Word count
Tapeke kupu
152

MUSICAL CRITICISM New Zealand Listener, Volume 34, Issue 873, 27 April 1956, Page 5

MUSICAL CRITICISM New Zealand Listener, Volume 34, Issue 873, 27 April 1956, Page 5

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