Gone Goon
MAY have a rather eccentric sense of humour, but I thought the first broadcast of The Goon Show one of the funniest things I’ve heard on radio. What a delight it was to encounter something which breaks away from the clubsandwich formula or even the best BBC comedy prograrnmes-introductory patter, musical number, sketch, musical number, parody-and which goes on developing a mad story in its own alogical way, giving us only the first bars of musical interludes. Here at last is a radio equivalent of the Marx Brothers, an explosive universe in which a gunshot and galloping horses represent a telephone ringing, in which you climb out of windows to open doors, and, as in film cartoons, you set off dynamite without actually getting killed. This is indeed "pure radio," which depends for its impact upon not ‘seeing the insane world conjured up in the imagination by dialogue and sound effects, Something like a combination of a top-class Varsity revue, Addams’s cartoons, ITM\A, Edward Lear and Wilbur Schmutz, but adding up to authentic goonery, one single Goon Show made me a convert, a gone goon, avid for the promised solution of the mystery of the Marie Celeste.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19560406.2.49.1
Bibliographic details
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New Zealand Listener, Volume 34, Issue 870, 6 April 1956, Page 26
Word count
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199Gone Goon New Zealand Listener, Volume 34, Issue 870, 6 April 1956, Page 26
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.