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WHAT EVERY WOMAN WANTS

(Adelphi) ] SAW this as the support feature along with Laxdale Hall. and the combined talents of Brenda de Banzie, Elsy Albiin, Patric Doonan, and the director Maurice Elvey were not enough to make more of it than that. It’s a drab little production which attempts without much success to find its drama in the overcrowded homes of the English lower middle-class, and in the tensions generated between young people and their in-laws-with a ground-bass of industrial agitation chucked in for good measure. I was left with the impression that what every woman, or every lower middle-class woman, wants is not a baby (as the character concerned protests) hut simplv a little lebensraum.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19560406.2.41.1.4

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 34, Issue 870, 6 April 1956, Page 21

Word count
Tapeke kupu
116

WHAT EVERY WOMAN WANTS New Zealand Listener, Volume 34, Issue 870, 6 April 1956, Page 21

WHAT EVERY WOMAN WANTS New Zealand Listener, Volume 34, Issue 870, 6 April 1956, Page 21

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