LIFE AMONG THE SEA DYAKS
|? was towards the end of last year that William R. Roff, talks officer with the NZBS, woke to the "enormous crow of a cock" in the village of Kanowit, on the Rejang River in Sarawak, Borneo. He dressed in the dark listening to "the first gentle stirrings of the day in Kanowit. I went into the street. The rain, like an overnight cleaner, had washed and gone, and the first light from the East shone back from the smooth surface of the river strewn with endless floating blossoms. By it I could see the Kanowit bazaar . . . all sorts of shops, yet all of the same kind. Most had something of everything but more of one thing. This perhaps was the chemist, for he had more ointments, herbs and packets of flyblown soap than umbrellas, brass trays and tins of biscuits. Another was certainly the tailor, for I could see his sewing machines behind the rows of umbrellas, brass trays and tins of biscuits. Bang went the shutters, bang clatter, and now the street wes full of people, carrying water, fetching wood, teking the Washing to the river, stepping on geese and children. And the radios roared, the pans banged, the people shouted and the noise rose like steam from a pot coming to the boil. .. "And with that we were away, enveloped in our outboard maelstrom, heading up the Rejang-like all rivers in Borneo, the main highway, the larder, the well and the bath. It flows like a carelessly thrown ribbon, a mile wie in parts, between endlessly green banks, and we tacked from side to side to avoid the force of the full, brown monsoon flood . . . so, trailing behind us the cry of Kanowit, we swept on up river, an ever narrowing river now, towards the
quieter reaches of the jungle and the Dyak longhouse that was our destination." In his documentary, Ulu Rejang ("Ulu" means "interior’"’), to be heard from the YAs and 4YZ on Sunéay, April 8, at 9.30 am., Mr. Roff records the events of the day and night he spent in that longhouse where lived 80 to 100 Sea Dyaks, a people whose friendliness and charm he found not at all impaired by the fact that, not so long since, they were headhunters. The
headman of the longhouse (seen below with his family) was Penghulu Jugah, paramount headman for 40 similar-sized longhouses. He himself had taken one head-that of a Japanese during the last war. A feature of Mr. Roff’s documentary is the recordings of the longhouse orchestra, similar to that shown on the top of the page, with its inkurumong, a row of gongs played with two wooden batons, its bebendai, a hanging gong, its tawak, a big deep gong held between the knees, and its ketetsong, a drum shaped something like an egg-timer.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19560329.2.19
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 34, Issue 869, 29 March 1956, Page 9
Word count
Tapeke kupu
475LIFE AMONG THE SEA DYAKS New Zealand Listener, Volume 34, Issue 869, 29 March 1956, Page 9
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.