More Men in the Kitchen
\V HATEVER the private opinions of women about men in the kitchen may be, the regrettable fact of the matter is that when men can cook, they do it well. So much so that it really is criminal waste of talent for men’s contribution to kitéhen harmony to be confined to juggling with dishes and teatowels, When men, forsaking their soldering-irons as in the old song, go adventuring with pots and pans the pro..ducts are likely to be both novel and spectacular. The resultant mess, of course, is likely to be the same because men in the kitchen, unlike women, can never be persuaded to clean up as they go. Perhaps, in their Machiavellian fashion, they know what they’re about. The unspoken assumption these days is that the guests will do the washing-up anyway. In a spirit of masochistic curiosity Elsie Lloyd, who is in charge of the Commercial Division’s Women’s Sessions, invited ten male aficionados of cooking to lift the lid off their prowess and give the regular cooks (female) a taste of what cooking-undistracted by clinging children or husbands who won’t eat anything but roast beef and apple pie-is like. There have been other series of talks about food given by men for the NZBS before. Many of these have been more concerned with, shall we say, "the philosophy of food"-food and its accompaniments like wines and sauces and in its ideal combinations. There’s a Man in the Kitchen! rolls up its sleeves and attacks cooking from the point of view of serving up dishes with the maximum of flavour and the minimum of effort. One thing. the men seem to be agreed upon, It’s that New Zealand housewives spend too much time on cooking the frivolities-the sponges and sugary con-fections-when all that’s necessary in that line is a good fruit cake. Then many of the ten asbirants to "Cordon Bleu" status are in favour of following European usage and making a good meal out of one course, With perhaps a soup as well. Thus the fiddling preparations for the sweet course can be dispensed with except on special occasions. How do men come to take up cooking? Mostly, it seems, for the prosaic reason that they don’t live at homé but still Must eat. Richard Reynelds, one of those "whose other interests in life is managing a bookshop, confessed that at first it was a matter of brazening it out.. When his friends came to his flat for a meal he had to make it look as though he found cooking enjoyable, and later found that it was so. John Blennerhasset (whose specialty is a leek soup called Vichysoisse) believes that the training he received as a bachelor-having to cook in one pot on a gas-ring-was the best possible. He learned the beauties of variations on a single theme: the difference various spices can make and how to use prepared items like soup cubes and tinned foods intelligently and imaginatively. There are some delicious-sounding reincluded in the series. The thought
of "Glacé- soufflé Marie Louise" is enough to set one drooling like one of Pavlov’s' dogs. Then there’s Albert Zwartjes’s "Hot, Lightning,’ and Pat Smyth’s Pumpkin Pie. But why go on? Listeners will be able to hear There’s a Man in the Kitchen! from 2ZB's Women’s Hour, beginning on Friday, May 13, and later from 3ZB and 4ZB.,
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19550513.2.33
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 32, Issue 824, 13 May 1955, Page 17
Word count
Tapeke kupu
566More Men in the Kitchen New Zealand Listener, Volume 32, Issue 824, 13 May 1955, Page 17
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.