Misty Tower
MUCH enjoyed the first part of These Characters Remain, a programme on W. B. Yeats (1YC). Alistair Campbell’s perceptive, yet self-effaced review of Yeats’s letters made some excellent points about the man and the poet, and provoked interest in the book as well as renewing interest in the poetry. But Pat Wilson’s Staying at . Ballisodare, a poem on his search for Yeats’s tower in Ireland, rather took.the edge off my enjoyment. The reading aloud of a long poem often exposes weaknesses which are not apparent on the printed page. Despite William Austin’s impeccable reading, I found this lengthy piece hard to listen to, not. because it was too long, but because of what seemed to me to be a flaccid quality in the whole work. The piece appeared inflated beyond the sustaining power of the initial inspiration. I have | liked Mr. Wilson’s other poems, but here wordiness and lack of real poetic energy made me increasingly restless. Would Yeats himself, I wonder, have been so long-winded about anything, even his strange little myths? But by all means let us have more programmes like this,
in which New Zealand poetry is submitted to the searching test of being heard.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19550506.2.19.1
Bibliographic details
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New Zealand Listener, Volume 32, Issue 823, 6 May 1955, Page 10
Word count
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200Misty Tower New Zealand Listener, Volume 32, Issue 823, 6 May 1955, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.