HUNTING THE WHALE
YANKEE WHALERS IN THE SOUTH SEAS, by A. B. C. Whipple; Victor Gollancz Lid., English price 16/-.
(Reviewed by
W. B.
Stewart
HIS is an interesting book, partly for what it says and partly for the way it says it. As to the first, the book is a collection of stories about whaling men, their ships and their quarry-the largest animal the world has ever seen. It has high adventure, pathos, horror; like the story of the whale-smashed Essex whose survivors sailed for three months and 4600 miles in an open boat, saving their lives by cannibalism. The book is written in the slick American style-part was published in Lifeand has the faults and merits of this type of journalism. It is extraordinarily vivid: "Like three elongated spiders the boats walked across the Pacific." But the effects are apt to be repéated; I can remember three spider-walking boats; and I found myself tiring of ships which don’t so much sail as "splosh," "plough" and "roll" their way along. No opportunity is lost to pile on the agony. Whether it be fear, pathos or horror, it is laid on
in good, thick slabs. The result is sometimes unfortunate. For instance, after describing a series of particularly revolting murders by a mad mutineer in minute detail-"the murmuring bubbles of air as Fisher panted through the blood in his mouth’-Mr. Whipple attempts another turn of the screw with, "Comstock (the mad mutineer) gave his command; the body was hoisted to the rail and dumped over the side-no brief, muttered words consigning the captain to the depths and to God." Maybe my moral sense is at fault, but it seemed to me that a consignment notice from Comstock would be appreciated by neither the consigned nor the consignee. ° Mr. Whipple has done considerable tesearch, with some attempt to give sources, but as he stresses himself, the book is not for scholars; too many gaps are filled in imaginatively, too much conversation and too many thoughts ascribed to. historical characters of which Mr. Whipple could know nothing. Further, there is a type of pulp writer who sets his adventure stories in exotic scenes, say Arabia, getting his local colour from Teach Yourself Arabic and a guide book. I suspect that slick writ-
ing like Yankee Whalers is sophisticated pulp: remarkably good journalism, exciting to read, at least in magazine-length articles, and even valuable. But whatever art might be, this isn’t it. And if you think I’m taking too highbrow an attitude, read this book, then read (or re-read) Melville’s Moby Dick. In the first, the interest wanes as the literary tricks become obvious, as the emotions become flaccid from the constant bombardment. In the second, considerable effort is needed to get over the initial heavy going, but then the rewards are rich. Maybe that childhood adage about the things you have to work for being the things worthwhile has got something. Maybe that’s why, about half-way through, I began to get bored with Yankee Whalers which, like all its fellow books and articles, has as its watchword: Thou shalt not contain anything that even looks like a demand on thy reader.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19550311.2.23.1
Bibliographic details
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New Zealand Listener, Volume 32, Issue 815, 11 March 1955, Page 12
Word count
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529HUNTING THE WHALE New Zealand Listener, Volume 32, Issue 815, 11 March 1955, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.