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Musical Opinions

MISSED Nigel Eastgate’s earlier talks "Listening to Music" but I had heard much about how they were phrased and delivered, that he talked down outrageously, and that he couldn’t be more than eighteen years old. It was therefore with a lively anticipation that I listened to his final talk: "The audience has to work, too." I failed to find in it any of the unpleasing qualities I had been led to expect. His voice is light, and his manner slyly urbane, and though he must be young, he spoke with dryish detachment which would have become a much older man. Perhaps Mr. Eastgate was unable to be too highhanded in his discussion of the modern musical modes, since they have not yet (continued on next page)

establishd a firm tradition at which brickbats may be hurled, but his account of the main figures in the movement and his judicious examples of their work were crisp and illuminating. I hope he will be encouraged to speak again, and. if he wishes to be trenchant, even rude, I shall applaud: rudeness supported by intellectual responsibility can have a liberating effect and, by getting people’s dander up, may urge them to consider matters on which they had previously held no opinion at all.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19550311.2.18.3

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 32, Issue 815, 11 March 1955, Page 10

Word count
Tapeke kupu
212

Musical Opinions New Zealand Listener, Volume 32, Issue 815, 11 March 1955, Page 10

Musical Opinions New Zealand Listener, Volume 32, Issue 815, 11 March 1955, Page 10

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