Latest 8 CLASSICAL Long-playing Recordings. Long Playing Records have widened the catalogue of recorded Oratoria and Cantatas: Following is 4 selection of some 0f the greatest music with per fect recording and singing. HANDEL: 1 THE MESSIAH. This was recorded in London in September; 1953 , with the following soloists: Mar- garet Ritchie Soprano Constance Shacklock (Contralto). William Her- bert (Tenor) Richard Standen Bass) George Eskdale (Trumpet and George Malcolm (Harpsichord with the London Philharmonic Choir and is conducted in a most dynamic per formance by Scherchen. Three records 85 19s 3d. BACH. ~MASS IN B MINOR With Elisabeth Schwarzkopf (Soprano Marga Hoffgen (Contralto) Nicolai Gedda (Tenor ) = Heinz Rehfuss (Bass) , Chorus and Orchestra of the Friends Of Music (with organ and harpsichord) and the following soloists Violin Manoug Parakian; Flute; Gareth Mor ris; Oboe, D' amore Sydney Sutcliffe and Peter Newbury; Horn Dennis Brain; and conducted by Herbert von Karajan_ Three records. 25 198 3d. BACA: ~CANTATA NO: 80 EIN FESTE BURG Soloists with the Academy Choir, the Vienna Chamber Orchestra conducted by Prohaska One record: 81 19s 9d. Also available are: BACH ARIAS BY KATHLEEN FERRIER, 19s 6d. BAN DEL ARIAS BY KATHLEEN FER RIER, 19s 6d. And 4 wide range of other BACH CANTATAS on both Decca and Nixa Records: FREE COMPLETE LISTS FORWARDED ON REQUEST ALSO REGULAR LISTS OF NEW RELEASES. COUNTRY ORDERS~Postage 0n any number 0f Long Playing Records is 35 6d. gBeags CHARLES BEG G & Co 0 LTD, AUCKLAND; WELLINGTON; CARISTCHURCH, DUNEDIN Whangarei; Hamilton, Palmerston North; Nelson. Timaru; Oamaru, and Invercargil: RC 9
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19550304.2.61.1
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New Zealand Listener, Volume 32, Issue 814, 4 March 1955, Page 36
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257Page 36 Advertisement 1 New Zealand Listener, Volume 32, Issue 814, 4 March 1955, Page 36
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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