AWAY WITH THE WIND
THE WAY OF A SHIP, by Alan Villiers; Hodder and Stoughton, English price 30/-,
(Reviewed by
A.
M.
T is a commonplace that literary publicity for the deep-sea sailing ship has increased with her doom and death. The advantage of our standpoint is that we can view the whole rise and decline of the big ship in perspective, see clearly her glory and what has driven her away with the wind, and compose her epitaph. Probably no one but Alan Villiers, with his experience in sail and authorship and photography, could have written and illustrated this masterly book. It is a history of the sailing ship. It tells how eastern and western man learned to find his ocean way, and how sail came to its zenith and fought its losing battle, human and economic, with steam, Further, it instructs the landsman in the equipment and working of a ship. As Alan Villiers says, the difficulty with so many books on sail is that they assume knowledge in the reader, He assumes nothing. Every sail, spar and rope is set forth and explained, with the help of drawings that range from full rig to details. The reader
voyages from South Australia round the Horn to England, and is shown the handling of the ship in various stages from anchorage to anchorage. The photographs are superb. Alan Villiers gives full credit to British ships for fast individual runs, but awards first prize for sustained speed and regularity to the big German ships in the Chilean nitrate trade. There are appendices giving details of record voyages under the _ British, American and German flags. Perfectly organised from ship and complement to discharge of cargo and loading in Chile, where not an hour was lost while other ships waited on the port’s pleasure, the German service ran round the Horn and back with much of the regularity of steam. Over nearly 20 years, Robert Hilgendorf, one of the finest captains who ever lived, averaged seven and a half knots. This German effort culminated in the five-masted, full-rigged ship Preussen, of 5080 tons gross, "the greatest sailing ship the world has seen." Alan Villiers considers the Preussen could and should have founded a new sailing dynasty, but to the advantages of steam was added the short-sighted-ness and conservatism. of sail owners and masters. Even now he thinks sail
may possibly have a commercial future. Sail is still used for training, and he believes in it. As late as 1953, the commanders of the great Cunarders had been apprentices in sail. As befits a writer who named his ship after Joseph Conrad, Alan Villiers packs his record with human interest, from
foc’sle to poop. We are told how the sailor lived forward, and what he thought of his job. In a_ satisfactory ship, well run, his was a contented life, indeed, a happy one, because it was communal and he practised a skilled craft. He despised the man in steam as a mere chipper and painter. And
the masters were called upon to handle the loveliest machine made by man; it was as if they conducted an orchestra with disaster and death ready to spring from the wings if a wrong note was played, Through this book, which is to be read for delight and kept for reference, runs emphasis on the man. There were more good ships, says Alan. Viilliers, than good (I should say he means very good) commanders.
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New Zealand Listener, Volume 31, Issue 796, 22 October 1954, Page 12
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578AWAY WITH THE WIND New Zealand Listener, Volume 31, Issue 796, 22 October 1954, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.