The Man Borrow
ALTHOUGH Lavengro, The Romany Rye, and The Bible in Spain all made ‘a deep and pleasant impression on me when I read them many years ago, I have never re-read them nor formed a clear mental portrait of their strange author. That I listened over both 3YC and 3YA to the BBC programme "George Borrow" indicates how welcome and necessary it was for me. That a _ twelve-year-old should also have listened enraptured, subsequently to ply me with questions about the man and his work, gives some idea of the universal appeal of the programme. Why such a fine programme should have been so weak in its bibliography remains a mystery. The Gypsies in Spain was neither mentioned nor assessed. Lavengro and The Romany Rye were dealt with as though they were one book, and the nine-year timespan given for its creation doesn’t easily fit in with what Borrow’s- own prefaces or the Oxford Companion to English Literature state on these matters. Small points like these cannot conceal the worth of the fine spiritual and psychological assessment given of the man Borrow. It is, none the less, irritating when one cannot nail down just what is and is not true, (continued on next page)
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19540709.2.21.3
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New Zealand Listener, Volume 31, Issue 781, 9 July 1954, Page 10
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206The Man Borrow New Zealand Listener, Volume 31, Issue 781, 9 July 1954, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.