The Universal Aunt
OME think of Aunt Daisy as an institution; I personally regard her as a phenomenon. Perhaps, like Katisha, she is an acqtired taste; perhaps the fascination of listening to the simultaneous discussion of three unrelated topics, the ecstatic description of everything, from a ballet to a new type of mattress, and the torrential flood of tortured syntax and agonised parentheses would pall if one listened to her too often, for the manner and not for the matter, as I do. But what an astonishing personality she is! The microphone simply does not exist for this Universal Aunt; she leans over the fence of the receiver each morning for a cosy gossip about anything and everything. And if the impression is often uncannily like Mrs. Nickleby, isn’t Mrs. Nickleby one of Dickens’s nicest characters? I had often wondered whether this was a supreme case of art concealing art, whether the apparent inconsequentialities were not, in fact, calculated. And hearing 1YA’s Portrait from Life-Aunt. Daisy confirmed these suspicions. On the strength of this delightful self-revelation, the 9 o'clock Aunt Daisy is a brilliant blend of technigue and personality, of intelligence and warm enthusiasm. The result is unique. Long may she flourish!
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New Zealand Listener, Volume 31, Issue 780, 2 July 1954, Page 10
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202The Universal Aunt New Zealand Listener, Volume 31, Issue 780, 2 July 1954, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.