REPETITION OF TALKS
Sir-May I venture a slight difference with your radio critic "Loquax" about the return of talks from 4YA in either morning or evening sessions? Seve eral of my listening friends and I agree that a repetition of talks is a good thing, especially if the repeats are close to the originals. The subject is fresh in our minds. We cannot always follow the whole series at one time of the day, and are delighted to notice that we can complete our listening through rebroadcasts in a morning session. With Olga Sansom’s delightful Stewart Island series I got two in the Saturday morning sessions from 4YA, one in an evening, and this morning have been pleased to pick up the first one (hitherto missed) from Invercargill. Friends who are working during the day enjoyed Margot Ross in the evening, at an-hour when as a busy mother, I couldn’t listen quietly. Then I was pleased to get her in a women’s morning session soon after I had been told of the talks, when I had a quiet kitchen in which to listen. From my point of view, I really welcome these repetitions. :
G. L.
SUTHERLAND
(Clinton).
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19540618.2.12.5
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 30, Issue 778, 18 June 1954, Page 5
Word count
Tapeke kupu
197REPETITION OF TALKS New Zealand Listener, Volume 30, Issue 778, 18 June 1954, Page 5
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.
Log in