Clear and Simple
EW people could be more convincing than Professor C. Day Lewis in his four talks on Modern Poetry broadcast from 3YC. Models of clarity and simplicity, the talks threw a light even on familiar paths. Apart from the work of Owen, Spender and Dylan Thomas, I was delighted to have picked out MacNeice’s rollicking satire on today’s materialistic world. But a man convinced against his will is a man unconvinced still. A subsequent reading in Eliot of Prufrock’s love song left me as cold as ever. A few passages in that melancholy, listless testament rise above the general level, the rest is tied down to
@ cultivated commonplace. Dante saw such indecisive souls drifting in a midregion between Heaven and Hell, and in so doing gave them a dramatic significance lacking to Prufrock. Professor Day Lewis suggested that there was still some confusion as to what constitutes poetry, and that even when interpreting disintegration the poet is obliged to impose order within the world of his own. fantasy. Following a similar line of reasoning we might also consider that trivialities must be unmistakably riveted to grand values before they qualify as poetry. A net of sardines needs to be held at one end by Peter himself to have any apocalyptic significance.
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New Zealand Listener, Volume 30, Issue 771, 30 April 1954, Page 10
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213Clear and Simple New Zealand Listener, Volume 30, Issue 771, 30 April 1954, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.