THIS WOMAN IS DANGEROUS
(Warner Bros.)
HIS WOMAN IS DANGEROUS is part thriller, part hospital romance. "This woman" is Joan Crawford as Beth Austin, a woman with a past who, with two gun-toting brothers (David Brian and Philip Carey), is operating as a bigtime crook. seems to be getting on her nerves a bit as the first reel gets under way, and when she lets Dr. Hallek (Denis Morgan) perform a very dicey operation in an effort to save her failing sight she begins to see the light. But she still feels she owes a lot to Mr. Brian for his help in the past. and he’s
as possessive and jealous and triggerhappv as they come. This film has a few exciting moments, some sirens, and a gun-fight in a hospital, but better than any of these is a tense little scene in which Beth sits smoking ‘in the doctor’s car in the yard of a women’s prison while a prison officer tries to discover which one of a group of prisoners has been smoking when she shouldn’t. This is well done. Otherwise as thri'lers go this is a pretty, slow film. Miss Crawford gives an adequate performance, with support of a sort from’ Messrs. Brian and Carey, wt.o seem to express their brotherly «ve in endless near-fatal brawls; but ra aot satisfied that Mr. Morgan wou!d know the difference between a scaipel and a stethoscope-and I’m certain he would never capture the heart of a woman who'd been about as long as Beth Austin.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19540423.2.45.1.3
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 30, Issue 770, 23 April 1954, Page 20
Word count
Tapeke kupu
255THIS WOMAN IS DANGEROUS New Zealand Listener, Volume 30, Issue 770, 23 April 1954, Page 20
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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