In the American Grain
ALWAYS THE YOUNG STRANGERS, by Carl Sandburg; Jonathan Cape, Enélish price 25/-.
(Reviewed by
P.J.
W.
shop in Galésburg, Ohio, there often came a pudgy Englishman with a curling moustache. He was something of a character about town who bred setter dogs, and he fascinated young Carl Sandburg, who worked in the shop brushing off the coats of customers, because unlike other Englishmen he’d known this one didn’t drop his aitches. "How does an Englishman spell saloon?" the boys in the hotel used to ask. "A hess, a hay, a hell, two hoes, and a hen." The earthy flavour of small-town America, the chatter of half-Swedish lingo in the Sandburg household, anecdotes and slang tales of childhood and schooldays, murders and dynamite bombs. and anarchists, reflections on the Haymarket riots, memories of Abraham Lincoln and Jesse James and General Grant’s funeral, hobo days on the freight trains, the Spanish-American War-all form a part of this rambling and folksy autobiography by one of America’s cele- | brated poets. _ ‘There were nine in the Swedish immigrant family in Galesburg, where Carl Sandburg was born in 1878. The children slept on corn-husk mattresses, and ‘the babies were dressed in napkins made from flour sacks. His father was a blacksmith on the railroad, and the story of his early days is a familiar account of the foreign-born immigrant, clannish, hard-working and poor. Like his friends the Holmses, who farmed in Nebraska and lived in a sod tut, his father had a fear of want which was "a dread in his heart and brain." Carl had a good time in childhood, swimming in water-holes, attending the Knox County Fair, where the farmers and their work-worn wives. brought cattle and potatoes and preserves to the Union Hotel barber-
display,. reading Hostetter’s Almanae with its cures for warts, corns, hiccoughs, and its funny drawings and jokes. But later came a succession o odd jobs and the "bitter and lonely hours" when at 19 he had thoughts of suicide. Luckily he decided instead to become a hobo, and one day jumped on a freight train at the Santa Fe station. He worked on the railroad, chopped wood, picked apples, dishwashed in hotels, milked cows, carpentered, and saw the country. When the Spanish-American War broke out he joined up and served in Cuba. His story ends with his return from the war to the home town that he "hated and loved." His book is a story of 19th Century America, the record of "an album of faces in my memory" from the "Springtime Years.’ He describes his boyhood friends, the men who made his town, the pioneers who first broke the prairie. Here are sketches of his favourite American heroes — General Beauregard of the Civil War, Cornelius Vanderbilt, Wanamaker, Whittier, George Peabody, Robert Ingersoll-and in their lives he sees something of the meaning of America. "Breeds and blood strains that figure in history were there for me, as a boy, to see and hear in their faces and their ways of talking and acting." Yankee old-timers from New England, Scotch-Irish breeds from Kentucky and Tennessee, Irish, Swedes and Germans: "Why did they come? Why couldn’t they get along where they started from? . . . Those questions ran in my blood. Dark and tangled they were to run in my blood for years. . . This small town of Galesburg, as I remember it, was a piece of the American Republic."
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19540423.2.27.1
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 30, Issue 770, 23 April 1954, Page 12
Word count
Tapeke kupu
570In the American Grain New Zealand Listener, Volume 30, Issue 770, 23 April 1954, Page 12
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.