Poet's Voice
FOUND the first broadcast in C. Day Lewis’s series of talks on modern poetry a truly memorable experience. I had expected the material of his talks to be good, and I knew that they would, in addition, have the added curiosity value that comes when the name on the spine of a book speaks aloud to us in a human voice. The voice itself, however, came as a surprise and a delight, an expressively beautiful voice, speaking a script whose rhythms were a pleasure to listen to. The poems selected to illustrate Day Lewis’s remarks ranged in time from Spenser to Laurie Lee and Louis MacNeice, arid provided beauty in themselves, and interesting contrasts.
This programme, which was heard originally on the BBC Third Programme, was the first of a series to be heard from 4YC on Sunday nights at 10 o'clock, and I should like to register yet another protest that a programme of such outstanding merit should be given us at the very end of the day when many listeners have prepared to turn off their radios for the night.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19540423.2.23.7
Bibliographic details
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New Zealand Listener, Volume 30, Issue 770, 23 April 1954, Page 11
Word count
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184Poet's Voice New Zealand Listener, Volume 30, Issue 770, 23 April 1954, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.