The Weekly Miracle
T one time, references to T/FH were so frequent in Radio Review that it seemed for a while in danger of being over-praised-if that were possible. It is now quite a while since it has had more than a casual dip of the lid from this page. Yet, while other BBC comedy programmes have come and gone, some visibly dying on their feet, TJFH retains, unimpaired, its freshness and cheeky individuality. The versatility of Edwards, Bentley and Joy Nichols and the bottomless invention of Norden and Muir continue to produce a weekly miracle of fun and wit. Just as Wodehouse is the only writer who can make me laugh aloud on a bus, so TIFH is the only session which can convulse me at home. Recent programmes have yielded a rich harvest of blooms-the maniacal dispute about daylight-saving, the horrible "things" from Mars who were susceptible to stewed rhubarb, the "Hollywood -versus- real-life" scene in the front seat of a car, the invention of chlorophyll, and so much else. And as we now have two shows and a repeat in Auckland each week, it’s almost worth the increased licence-fee in itself,
J.C.
R.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19540409.2.21.4
Bibliographic details
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New Zealand Listener, Volume 30, Issue 768, 9 April 1954, Page 10
Word count
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196The Weekly Miracle New Zealand Listener, Volume 30, Issue 768, 9 April 1954, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.