ELEGY AT THE YEAR'S END
At the year’s end I come to my father’s house Where passion fruit hang gold above an open doorway And garden trees bend to the visiting bird: Here first the single vision Entered my heart, as to a dusty room Enters the pure tyrannical wind of heaven. The coal burns out; the quiet ash remains That tired minds and coarsened bodies know. Small town of corrugated iron roofs Between the low volcanic saddle And offshore reef where blue cod browse, From husks of exile, humbled, I come to your fond prison, . At an elder uncle’s deathbed I read the graph Of suffering in the face of country cousins. These have endured what men hold in common, The cross of custom, the marriage bed of knives; Their angular faces reflecting his Whose body lies stiff under the coverlet. One may walk again to the fisherman’s rock, hearing The long waves tumble, from America riding, Where mottled kelpbeds heave to a pale sun; But not again see green Aphrodite Rise to transfigure the noon. Rather the bots ceianaaee Chorus: All shall be taken, Or by the brown lagoon stand idle Where to their haunted coves the safe flocks go, And envy the paradise drake his brilliant sexual plumage. For single vision dies; spirit and flesh are sundered In the kingdom of no love. Our stunted Passions bend To serve again familiar social devils. Brief is the visiting angel. In corridors of Siiuat Our lives entwined suffer the common ill: Living and dying, breathing and begetting. Meanwhile on maimed gravestones under the towering fennel Moves the bright lizard, sunloved, basking in The moment of animal joy. James K. Boxter.
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New Zealand Listener, Volume 30, Issue 760, 12 February 1954, Page 5
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281ELEGY AT THE YEAR'S END New Zealand Listener, Volume 30, Issue 760, 12 February 1954, Page 5
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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