Diluted Drama
WEEK of plays: Maugham’s The Creative Impulse adapted for radio by O. A. Gillespie, and Henry Reed’s Pytheas, both heard over 3YC-neither of which proved very entertaining. The NZBS production of Maugham’s story was pretty well equal to the work in hand. Possibly it is Maugham’s own fault that, in the scenes involving the servants, the cockney speech was too heavily laid on for my liking. This weakens the irony of a situation in which the husband turns away from his arty wife and her everlasting highbrow parties to the cook. Pytheas, in which | two people discuss a fantasy they are | in the act of creating about a littleknown traveller of the ancient world, points to the weakness of monkeying about on the inside and the outside cf a plot all at once. There was, more- | over, a naive undergraduate enthusiasm | for the questing spirit of man floating | unnecessarily on the surface. Once | really engaged with such things, whether | in play writing or exploring, the selfconscious references drop out as the real object. of the play or the exploration | holds the field of attention.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19540115.2.18.2
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New Zealand Listener, Volume 30, Issue 756, 15 January 1954, Page 9
Word count
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186Diluted Drama New Zealand Listener, Volume 30, Issue 756, 15 January 1954, Page 9
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.