"THE LISTENER" CROSSWORD
(Solution to No. 677)
Clues Across . This form of escort is traditionally arrayed in buttons, if not bows. . Wipe out. . These revelations could be so clear when confused, and 2 down. What most of us intend to make at New Year. . Try a note (anag.). . "Imperious Caesar, dead and turn’d to clay, might stop a to keep the wind away" ("Hamlet," Act 5, Scene 1).
. Stressed. . A character in a book by Kenneth Grahame which has been dramatised by A. A. Milne. . Feign. . ". .. lest his disciples .. . say unto the people, He is risen from the dead: so the last shall be worse than the first" (St. Matthew 27, 64).
23. "Sole judge of truth, ry wa Wn in 22 across hurled: The glory, jest and riddle of the world" (Pope, "An Essay on Man"). . This hand is the longer. . "Secret, and- selfcontained, and solitary as an = (Dickens, "A Christmas Carol’), Clues down . Part of the anchor all ships carry. . See 10 across, . Generals are upset here. . "Farewell the neighing steed, and the shrill trump, The spirit stirring drum, the earpiercing --" ("Othello," Act 3, Scene 3). Dread (adj.), +
3 "Blow, bugle, blow, set the wild — flying" (Tennyson, "The Princess’). . Recant ideas (anag.). . "---’s child works hard for its living" (old rhyme). . This mortification ends in g wry smile. . Master (anag.). . Easter presents a puzzle. . Ward off. 21. Pluck.
No. 678
(Constructed by
R.W.
H.
Permanent link to this item
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19540115.2.15
Bibliographic details
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New Zealand Listener, Volume 30, Issue 756, 15 January 1954, Page 8
Word count
Tapeke kupu
236"THE LISTENER" CROSSWORD New Zealand Listener, Volume 30, Issue 756, 15 January 1954, Page 8
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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