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Piano and Violin

HOUGH it be a confession of personal limitations, I must say that orchestral music does sometimes present the mind with a hopeless welter .of sound in which one can no longer distinguish individual beauties. That is why I like the single instrument, two playing together-or, in the larger work a dominant theme led by one allied group of instruments. I was deeply satisfied, for example, by the Brahms Sonata No, 1 in G, Opus 78, played by Vincent .Aspey (violin) and Ernest Jenner (piano) over 3YC. I was interested in’ the "way the. violin extended a new voice to man, giving him with its tremolo the depth of a woman’s tenderness, together with unusual strength. When the two strings were used together once or twice one gained the impression of a deep and surging passion. At other times, through both instruments, hearts that were happy

danced and effervesced. |

Westcliff

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19531009.2.21.4

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 29, Issue 743, 9 October 1953, Page 10

Word count
Tapeke kupu
152

Piano and Violin New Zealand Listener, Volume 29, Issue 743, 9 October 1953, Page 10

Piano and Violin New Zealand Listener, Volume 29, Issue 743, 9 October 1953, Page 10

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