ALTHOUGH HE IS BLIND, Julian Lee, the Auckland musician, has become well known to radio listeners in New Zealand tor his complete mastery of at least three instruments. He was born in Dunedin and when he was five years old he was admitted to the New Zealand Institute for the Blind at Auckland, where he received a thorough primary and secondary education. He also learned the piano, saxophone and trumpet. In 1940 he left the Institute and returned to Dunedin, where he conducted two weekly programmes for 4ZB and played in various dance orchestras, In 1946 Julian Lee went back to Auckland, and he has since taken an active part in recording, radio and cabaret. work Last year he was appointed director of an Auckland recording studio. Listeners will hear him at 9.0 p.m. on Sunday, September 13, in 1ZB's programme, "Music at Nine," when he will be the guest artist with Oswald Cheesman's Orchestra
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New Zealand Listener, Volume 29, Issue 739, 11 September 1953, Page 24
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155ALTHOUGH HE IS BLIND, Julian Lee, the Auckland musician, has become well known to radio listeners in New Zealand tor his complete mastery of at least three instruments. He was born in Dunedin and when he was five years old he was admitted to the New Zealand Institute for the Blind at Auckland, where he received a thorough primary and secondary education. He also learned the piano, saxophone and trumpet. In 1940 he left the Institute and returned to Dunedin, where he conducted two weekly programmes for 4ZB and played in various dance orchestras, In 1946 Julian Lee went back to Auckland, and he has since taken an active part in recording, radio and cabaret. work Last year he was appointed director of an Auckland recording studio. Listeners will hear him at 9.0 p.m. on Sunday, September 13, in 1ZB's programme, "Music at Nine," when he will be the guest artist with Oswald Cheesman's Orchestra New Zealand Listener, Volume 29, Issue 739, 11 September 1953, Page 24
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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