SATURDAY ISLAND
(RKO-Radio) F you had a portable gramophone, a .dozen_ carefullyselected records, and an unlimited supply of needles, what sort of desert island would you like to be marooned on? Almost any kind, of course, might do-I have no means of knowing at the time of writing what Thursday night’s big broadcast holds in store-but if you're feeling fenced in, don’t rush your fences. Pause a moment and consider Saturday Island. If this is not the desert isle to end all desert isles, then it’s at least Penultima Thule-or I’m a_ flying Dutchman. On the relatively important point of sailing directions, there is, unfortunately, little information I can give you. 1 made the first leg of the trip (in company with Miss Linda Darnell and a large blond youth called Tab Hunter, who looks-and sounds-like a masculine edition of Judy Holliday) on board -e U.S. Navy supply ship. The time is circa 1944, the place somewhere about mid-Pacific, though as it happens the credits have already told us that the film was made in the West Indies with the co-operation of H.M. Government in Jamaica and British and U.S. Forces in the Caribbean. One hag scarcely time to become acGuainted with the ship, and its cheerful cargo of Marines and Canadian nursing sisters, before a skulking Japanese submarine sends them all to the bottom in a shocking inferno of blazing d@mmunition and gasoline-al] except Miss Darnell and Mr. Hunter. This tragedy struck me as a singularly maladroit introduction to romance on a tropic isle, but when morning disclosed the two survivors bowling merrily along in a rubber. dinghy before a fair breeze neither seemed to be suffering afy pronounced psychic trauma. Young Mr. Hunter is, in fact, so matily cheerful at the prospect of an indeterminate spelli of leave that Miss D. feels impelled to stand on her dignity and remind him that though the dinghy has no lower deck that, metaphorically, is where he _ belongs. Before you can sey Robinson Crusoe, however, they make their landfall on Saturday Island, and nothing-quite like it has been heard of, I’m sure, since the Swiss Family Robinson hit the headlines a century and a half ago. The trees groan beneath their burden of uncontrolled oranges, bananas and breadfruit, the sparkling lagoon teems with fish that don’t know a hook from a handsaw whatever quarter the wind is sitting in. There are even a few saws conveniently to hand in an old wreck, and with these and sundry other tools Mr. Hunter shows just what a Marine can do once he has established a beachbead. The only evil in this Eden appears to be the tropical rot which attacks Miss Darnell’s wardrobe. % * * ‘[HESE asterisks may be taken to represent the emotional storm aroused in Mr. Hunter by that process of erosion, and the calm idyll that supervenes. It lasts a year and is then
thoroughly shattered by a . dashing R.A.F. type who prangs his dive-bomber on the beach. By the time he is nursed back to health and the trio are rescued young Mr. H. is once again the 5dd man out, Saturday Island, as you will have gathered, is second-grade entertainment, made tolerable only -by its unconscious humour, Of one thing I can be certain, the U.S.M.C. Publicity Division was not co-opted for this production.
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New Zealand Listener, Volume 29, Issue 737, 28 August 1953, Page 16
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554SATURDAY ISLAND New Zealand Listener, Volume 29, Issue 737, 28 August 1953, Page 16
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.