Authors Badly Treated
DOUBT whether the famous authors, even the live ones, have much choice as to which of their short stories is given the works for Theatre of Famous Authors, heard from 2YA. The overseas adapters apparently feel. they have done the author sufficient honour by including him in their series. They start off with a patronising snippet or two of biography, then justify their patronage by using a story that is neither particularly brilliant nor particularly good dramatic material. Gerald Kersh (‘the poor man’s Rudyard Kipling") got off comparatively lightly with "Tomorrow in the Morning,’ warmly sentimental but lacking the characteristic bite. But poor Scott Fitzgerald was most unfairly represented by "The Four Fists." It was handicapped by the fact that it had only two characters, the business man telling his own success story, and the interviewing reporter with no part in the action, confining himself to appreciative comments, increasingly slurred, on his host’s whisky. Since the tycoon’s story is a highly moral one, the reporter was doubtless retained’ to illustrate Fitzgerald’s jazz age nexus.
M.
B.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19530731.2.22.4
Bibliographic details
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New Zealand Listener, Volume 29, Issue 733, 31 July 1953, Page 10
Word count
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179Authors Badly Treated New Zealand Listener, Volume 29, Issue 733, 31 July 1953, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.