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STRATFORD SHAKESPEARE

Sir,-It argues well for live theatre when a young person (Barbara Ewing, Listener, June 5) rises in defence of a visiting drama company. I wish Barbara could have been old enough to have seen the Old Vic Company on its visit here four and a half years ago; she would have had still another exciting experience. She asks "How could Miss Jefford be playing herself into the scene when she was dead, since she was dead?" The answer is a simple matter of dramatic technique. Playing dead, the actor, as well as relaxing his body, empties his mind, for we believe that "thought

comes over.and that an actively functioning brain can be felt by sensitive members of the audience. As a professional critic I always regret having to analyse and sometimes condemn something which the less experienced have appreciated, but since it is the critic’s task to point the way to what is generally accepted as the best, I and my fellows often have to resign ourselves to the indignation of the many.

JUDITH

TERRY

(Auckland).

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19530626.2.12.5

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 29, Issue 728, 26 June 1953, Page 5

Word count
Tapeke kupu
178

STRATFORD SHAKESPEARE New Zealand Listener, Volume 29, Issue 728, 26 June 1953, Page 5

STRATFORD SHAKESPEARE New Zealand Listener, Volume 29, Issue 728, 26 June 1953, Page 5

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