Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

Kentner Stands Among the Great

Sa ‘newspaper columnist, Eleanor Roosevelt, widow of U.S. President Franklin D. Roosevelt; once interviewed the celebrated pianist Louis Kentner. "He told me," she reported, "that, ‘sometimes he felt all his time was spent’ i in getting from the railroad platform: to the concert platform! One of Kis. friends, told me that in between time’, however, he managed to practise at* least six: hours a day." At present performing in New ZeaJand for the NZBS and the Auckland Festival. Society, Mr. Kentner is. bear-

ing out Mrs. Roosevelt’s' remarks, He is giving seven performances during his two. weeks’ stay, and is demonstrating his command of such diverse composers as Beethoven and Bartok, Bach and Chopin. His schedule includes concerto performances with the National Orchestra at Wellington (Mav 30). and Auck-

land (June 9), as well as solo recitals at Dunedin (June 2), Christchurch (June 4), Wellington (June 6) and Auckland (June 11 and 14). Of Hungarian birth, Louis Kentner was born at Karwin, in what is now Czechoslovakia, in 1905.. He was brought up in Budapest, however, and there received his musical education from such distinguished musicians as Arnold Székely, Leo Weiner and Kodaly. He soon became known throughout Europe as one of the world’s great pianists. In 1935 he first appeared in England, and in 1937 he made his first broadcast for the BBC. He now lives in London and has become a naturalised British subject. Acclaimed by critics as one of the most versatile artists, Mr. Kentner has what is probably the largest repertoire of any living instrumentalist, His recital programmes during recent seasons have included the performance of all 48 Preludes and Fugues of Bach, the 32 Sonatas of Beethoven, 10 Schubert Sonatas, the ‘entire works of Chopin, most of Liszt and Brahms, and a large selection of French, Russian and Hungarian music. With Yehudi Menuhin, he played all the Beethoven piano and violin sonatas, both at the Edinburgh Festival and on the Continent. On the latter occasion both artists played without music. Louis Kentner has been compared by the critic of The Times with Liszt and Busoni, by the Manchester Guardian with Busoni, and by one of Europe’s severest critics, "Rathcol" of the Belfast Telegraph, with Rachmaninoff. But the acclaim seems not to have affected him for, if Mrs, Roosevelt is to be believed, "he is not a showy artist, there is nothing of the actor in him-he just seems a very: nice person."

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19530605.2.36

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 28, Issue 725, 5 June 1953, Page 17

Word count
Tapeke kupu
412

Kentner Stands Among the Great New Zealand Listener, Volume 28, Issue 725, 5 June 1953, Page 17

Kentner Stands Among the Great New Zealand Listener, Volume 28, Issue 725, 5 June 1953, Page 17

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert