Kentner Stands Among the Great
Sa ‘newspaper columnist, Eleanor Roosevelt, widow of U.S. President Franklin D. Roosevelt; once interviewed the celebrated pianist Louis Kentner. "He told me," she reported, "that, ‘sometimes he felt all his time was spent’ i in getting from the railroad platform: to the concert platform! One of Kis. friends, told me that in between time’, however, he managed to practise at* least six: hours a day." At present performing in New ZeaJand for the NZBS and the Auckland Festival. Society, Mr. Kentner is. bear-
ing out Mrs. Roosevelt’s' remarks, He is giving seven performances during his two. weeks’ stay, and is demonstrating his command of such diverse composers as Beethoven and Bartok, Bach and Chopin. His schedule includes concerto performances with the National Orchestra at Wellington (Mav 30). and Auck-
land (June 9), as well as solo recitals at Dunedin (June 2), Christchurch (June 4), Wellington (June 6) and Auckland (June 11 and 14). Of Hungarian birth, Louis Kentner was born at Karwin, in what is now Czechoslovakia, in 1905.. He was brought up in Budapest, however, and there received his musical education from such distinguished musicians as Arnold Székely, Leo Weiner and Kodaly. He soon became known throughout Europe as one of the world’s great pianists. In 1935 he first appeared in England, and in 1937 he made his first broadcast for the BBC. He now lives in London and has become a naturalised British subject. Acclaimed by critics as one of the most versatile artists, Mr. Kentner has what is probably the largest repertoire of any living instrumentalist, His recital programmes during recent seasons have included the performance of all 48 Preludes and Fugues of Bach, the 32 Sonatas of Beethoven, 10 Schubert Sonatas, the ‘entire works of Chopin, most of Liszt and Brahms, and a large selection of French, Russian and Hungarian music. With Yehudi Menuhin, he played all the Beethoven piano and violin sonatas, both at the Edinburgh Festival and on the Continent. On the latter occasion both artists played without music. Louis Kentner has been compared by the critic of The Times with Liszt and Busoni, by the Manchester Guardian with Busoni, and by one of Europe’s severest critics, "Rathcol" of the Belfast Telegraph, with Rachmaninoff. But the acclaim seems not to have affected him for, if Mrs, Roosevelt is to be believed, "he is not a showy artist, there is nothing of the actor in him-he just seems a very: nice person."
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New Zealand Listener, Volume 28, Issue 725, 5 June 1953, Page 17
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412Kentner Stands Among the Great New Zealand Listener, Volume 28, Issue 725, 5 June 1953, Page 17
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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