Poem with Music
N thé Gasé of riew music or verse, what is worth hearing is worth imthediaté repétition, and in this and other réspécts, thé programme of Alistair Campbell’s Elegy (héard from 1YC) was sométhing of a modél. Thé programme opéréd with a hélpful introdiiction by John Siimmers, and the séquence of poémms was réad by William Austin with great sympathy and skill. Douglas Lilbufn’s sétting wag also rendéred cléatly atid feelingly by Getaid Christéellér and Fredetick and this was répéatéd A cOuplé of Hights later, giving the Jist@fér ah éxcellent opportunity te become
acquainted with the whole work. Not that the Elegy is "difficult poetry: it also invites fiti8icél Séttifig; and Mr. Lilburn has accomplished this with such completé uridérstanditig that one can no lohgér imaginé the Versé atid the miuic Standing apart. The poetry itself was already something that grew on acquaintarice; the setting, on second hearing, left a complete acceptance of its sadness, its resdlution and its wild and sombre landscape.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19530522.2.17.3
Bibliographic details
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New Zealand Listener, Volume 28, Issue 723, 22 May 1953, Page 10
Word count
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165Poem with Music New Zealand Listener, Volume 28, Issue 723, 22 May 1953, Page 10
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.