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Pacific Fantasia

URELY John Gundry’s New Zealand play Manifest Destiny should have had more of an advance notice than the bare statement of its performance over 3YA, if only to indicate that it was about Captain Cook. It was not a play in the ordinary sense of the word, but a fantasia on the events leading up to Cook’s death, with the drum-and guitar skilfully used to transmute the cruder material of history into "something rich and strange." Lines from. Sir Patrick Spens and Chatterton set to music rose or faded into the roaring of waves without fault. Restraint was indeed a word with meaning here, where the very picture of the South Sea Islands and their attendant clichés might so easily have dispersed the images of Cook and Tereavo, in whom the clash of two cultures was focused. Was it a fault that once or twice, most noticeably when Tereavo delivered ceremonial instructions regarding Cook’s body, the Shakespearian ring of the words tended to carry the mind beyond its Pacific setting, or did the universality of the theme support this treatment? Finer points of query or criticism aside, Mani- ---- eeeeeee

fest Destiny in conception and execution combined beauty and the search for truth into a single enthralling whole.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19530501.2.17.3

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 28, Issue 720, 1 May 1953, Page 8

Word count
Tapeke kupu
209

Pacific Fantasia New Zealand Listener, Volume 28, Issue 720, 1 May 1953, Page 8

Pacific Fantasia New Zealand Listener, Volume 28, Issue 720, 1 May 1953, Page 8

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