BETWEEN TWO WORLDS
ZTUSSLES WITH TIME, by Jules Romains, translated by Gerard Hopkins; Sidgwick and epheon. English price, 13/6. THE ESTATE N ABRUZZI, by Francesco Jovine, translated by Archibald Colquhoun; McGibbon and Kee. English price, 12/6. ULES ROMAINS’ Tussles with Time consists of one long and one short story about the supernatural. Perhaps "paranormal" would better convey his deliberately prosaic and _ systematic approach. The subtlety of Romains’s ideas on these matters and the exactness with which they are stated are remarkable but no less so is his gift of story-telling. The first of the stories descfibes the narrator’s efforts to account for the mysterious appeatances of a "dead" friend; the second with the adventure of a survivor from the bombing of Rotterdam who discovers in New York a compulsion to shut himself away from the sky. They are both virtuoso performances and quite engrossing. As much cannot be said for Francesco Jovine’s The Estate in Abruzzi. It seems
a competent example of an established type rather than an individual achievement. As the title suggests, the centre of the novel is a more or less derelict estate in the Abruzzi over which people of various classes come into generally disastrous contact with each other at the time of the rise of the Fascisti. I cannot say I found it very interesting although, as in many other post-war Italian novels and films, a conscientious realism did not exclude some poetic feeling.
Hubert
Witheford
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19530410.2.25.6
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New Zealand Listener, Volume 28, Issue 717, 10 April 1953, Page 15
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241BETWEEN TWO WORLDS New Zealand Listener, Volume 28, Issue 717, 10 April 1953, Page 15
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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