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The Singing Lute

F all musical instruments, the lute is the one which has most hold upon my imagination, chiefly through Wyatt’s poem, but also because it has a beautiful name. Not until I heard Rossiter’s "What then is Love but Mourning," sung by Alfred Deller and accompanied by the lute in English Song (from 3YC), had I ever registered its precise musical nature. Fortunately for me the lute lived up to my irrational conception of it, the more so as a result of Alfred Deller’s imitation of its plucked melody when he got to the "Dillo" refrain. Heddle Nash singing excerpts from the On Wenlock Edge song cycle also made pleasant listening. In fact almost the,whole evening, which really began much earlier with the London Studio Recitals of songs by Vaughan Wyjlliams, Warlock, Moeran, Rowley and later Holst’s St. Paul’s Suite, formed an excellent introduction to the work of British composers and singers.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19530320.2.21.5

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 28, Issue 714, 20 March 1953, Page 11

Word count
Tapeke kupu
154

The Singing Lute New Zealand Listener, Volume 28, Issue 714, 20 March 1953, Page 11

The Singing Lute New Zealand Listener, Volume 28, Issue 714, 20 March 1953, Page 11

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