THE ROCK DRAWINGS
Theo Schoon’s contribution to | the 3YC discussion on Maori rock drawings was his sensitive handling of our language. Indeed, although one must concede that Dr. Duff’s treatment was far more circumstantial, Mr. Schoon’s remarks, bearing the whole weight of a passionate conviction concerning not only the cave drawings but also a complete attitude towards life, was profoundly convincing. I found myself saying "no" to Mr. Schoon’s actual deductions, but "yes" to things not very far beneath the surface of his talk. This splendidly conceived programme with recordings. of Maori singing in between each speaker, was unevenly executed. When the radio reporter felt it. necessary to recapitulate the words of the field officer describing the changes and chances of the cave drawings, I could not help smiling at the "neat" way he imagined he had summed the matter up. I was doubtful, too, of the value of trying to describe the drawings as they would be seen by "the man in the street," a proceeding which coula summarily reduce a great deal of European art to strange but comparatively uninteresting phenomena not really worth trying to understand. I found my own interest in the drawings renewed by. the discussion. HE astonishing thing about
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19520516.2.20.1
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 26, Issue 671, 16 May 1952, Page 10
Word count
Tapeke kupu
205THE ROCK DRAWINGS New Zealand Listener, Volume 26, Issue 671, 16 May 1952, Page 10
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.