STUDIES IN REALISM
MORNING STAR, by J. L. Hodson; Victor Gollancz. English price, 12/6. THE FLOWER IN THE GUTTER, by lon Braby; Michael Joseph. English price, 12/6. THE SLOW TRAIN HOME, by Dorothy Cowlin; Jonathan Cape. English price, 12/6. COME AGAIN, by Sarah Campion; Peter Davies. English price, 9/6. R. HODSON and Mr. Braby, in their different ways, have written a pair of admirable realistic novels, which set together shock and startle by the contrast they form. Mr. Hodson’s story is of a newspaper in the north of England and the fight of its editor, a 19th Century Liberal at heart, to save it from absorption into a combine. The issue is the preservation of individuality. The colour and character of Lancashire makes enjoyable reading, but somehow seems to belong to a past age. Mr. Braby has taken his theme from Berlin under the Russian occupation, starting in the last days of German resistance and continuing into the early occupation period. The issue is survival. The dreary, hopeless monotony, punctuated with bursts of panic or violence, is perfectly recaptured; the book is almost unbearably dreary to read, but it is a superb piece of work. Dorothy Cowlin’s story, also of Northern England, is slighter but good work all the same. Her picture of the hero’s reintegration is too external to be convincing, but the background and other (continued on next page)
BOOKS
(continued from previous page) persons are authentic and enjoyable. Sarah Campion, too, has backgroundsof the Australian outback-more authentic than the action she places against them; but readers should not be put off by her almost intolerable introductory
chapter.
D. M.
Anderson
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New Zealand Listener, Volume 26, Issue 669, 2 May 1952, Page 13
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273STUDIES IN REALISM New Zealand Listener, Volume 26, Issue 669, 2 May 1952, Page 13
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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