Denis Glover's Poetry
s SINGS HARRY and Other Poems, by Denis Glover; The Caxton Press; 15/-.
| / (Reviewed by
James K.
Baxter
| N adequate evaluation of the poetry of Denis Glover has yet to be made. In the space of a brief review of. his latest and finest volume, it cannot be attempted; but certain comments are worth making. Glover in New Zealand, like Louis Macneice in England, has been underestimated as a serious poet because of his propensity for satire and a subtle self-depreciation ("These songs will not stand..." etc.); also on account of the apparently casual simplicity of his style. In fact his purely satirical poems are rare and of comparative unimportance; and his lucid style is the product of prolonged and intense processes of composition, the word fitting the experience like a glove. He has assimilated to his own use the techniques of Georgian verse, of the Scots ballads, perhaps also of Greek and Anglo-Saxon verse-and in this volume, it seems, of the later songs of Keats. In the repetition and exploration of certain themes, however, lies the measure of his success beyond all other New Zealand poets. Where others have seen New Zealand in anthropological, historical, even geological terms, Glover has seen her through the wrong end of a telescope, a world of experience intensified ' and crystallised in a few lyrics. The first eleven poems of this volume, apart from their superlative technical brilliance, embody what is perhaps the only successful. myth yet. created by a New Zealand poet. That was a good place to be camping in, sings Harry, / Where we unsaddled and hobbled the horses, sien -- 3 over Honeycomb Pass and Mount . For sheep and heat and dust and-a hundred / watercourses. . Harry is Ishmael the Wandering Jew, the Fool who is also prophet and oracle. His comment, gat is Glover’s comment, on human society is invariably destruct-ive-men are sick automata engaged in ruining each other. Outside human society, however, exists the Sea, image of oblivion and renewal, and the temenos of the Land where reconciliation is possible with fellow beings and with the rich presences which haunt childhood experience. Though Nature also can mirror the desolation of individual man ("Drift," "The Ware"), in general the natural world is for Glover a source of spiritual refreshment. Notably in one poem, "Dunedin Revisited," he has fused completely the vision and the fact. A long sunset spills On those returning And the manuka hills Know the slow smoke of burning. The love poetry, satire and the film commentary included in this volume have not been mentioned. They alone would make it valuable; but the "Sings Harry" lyrics and certain similar poems
. are very likely the most _ intense, evocative and formally perfect work ever produced in this country. THE MAN WHO KNEW HITLER’S STRATEGY, by F. H. Hinsley; Cambridge University Press. English price, 18/-. HERE is a naval bias about this book that is easy to explain but not as easy to forget when trying to estimate its value. Hinsley is a naval historian; his chief sources are the German naval archives captured complete at the end of the war; and the only German service chiefs whose views receive detailed attention are Admiral Raeder, Com-mander-in-Chief of the German Navy, and Doenitz, his successor. Hinsley is aware of this, and he anticipates criticism by arguing that this naval evidence is more relevant than any other because of the importance of British sea power and its dominant effect on Hitler’s strategy. But. Hitler’s victories and defeats were land campaigns; his navy was not ready for a major war at sea in September 1939, and (except for his U-boats) played an unimportant part in it amd was disbanded by Hitler in February. 1943. Raeder regretted in September 1939 that the war had come five years too soon, and even Mussolini advised Hitler that it would be better to wait. another two or three years because of the condition of the German fleet. What an astonishing man Hitler’ was! Opposition to his plans served only to strengthen his conviction that they were right, and made him more determined than ever to carry them out, Raeder found. him®* difficult to handle. If his suggestions conflicted with Hitler's plans (or if Hitler thought they did) they fell on deaf ears or were neglected out of hand. It is an interesting exercise to discover, now that it is all over, how many times Raeder was right and Hitler wrong. ‘ This book is concerned with Hitler’s strategy and not with his share in the conduct of operations. Hinsley’s examination of his directives and the minutes of his conferences with his commanders-in-chief brings to light so many contradictions in Hitler’s aims and calculations that at times it is difficult to sort out just exactly what he hoped to attain.
His lack of strategic powers, his wilfulness in taking risks and in pursuing confused and incompatible aims, the false premises on which he made his miscalculations and. then justified them, are all clearly shown in this absorbingly interestine study. Besides the -naval archives, all the Nurnberg trial documents and evidence have been examined by the author, and he has also made use of other published material, He is always careful to point out the true value of his sources, and his arguments are considered and well presented.
W.A.
G.
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Bibliographic details
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New Zealand Listener, Volume 26, Issue 664, 28 March 1952, Page 12
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890Denis Glover's Poetry New Zealand Listener, Volume 26, Issue 664, 28 March 1952, Page 12
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.