BACKSTAGE AND ONSTAGE
HEN the curtain falls the audience goes home to comfort, but the producer sits back for a pleasant session with worries about the performance: just over and the ones to come. These-worries are as legion as the extras in a
Hollywood epic. A few of them enter into the radio talk series, Amateurs and Greasepaint, by Cecily Tabor Gregory, well known as a musical comedy producer in Many centres in the Dominion, Mrs. Gregory will be heard during Women’s Hour on Thursday, March 6, and. for the five weeks following, from 2ZB, 3ZB, and 4ZB, 2ZA and 1XH. Her wide experience as a producer of amateur theatrical performances makes Mrs. Gregory eminently qualified to pass on helpful hints to those interested in dramatics, but her six talks are also enlivened by accounts of backstage and onstage incidents that have occurred during her long years with musicalcomedy shows. —
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New Zealand Listener, Volume 26, Issue 660, 29 February 1952, Page 21
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150BACKSTAGE AND ONSTAGE New Zealand Listener, Volume 26, Issue 660, 29 February 1952, Page 21
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