BRIGHT VICTORY
(Universal-International) HE first part of Bright Victory is a sound March-of-Time style treatmerit of the return of a blinded serviceman (Arthur Kennedy) to the United States, and of his re-education in the Army’s Valley Forge Hospital. Kennedy is a good actor and there was conviction in his portrayal of that crucial moment in which the blinded man realises that his darkness is permanent. But. once away from Valley Forge, with all its neat routines, its institutional heartiness, and its impressive efficiency, the story slips and falters. The soldier’s. girl. flinches from the prospect of marriage with a blind man, but as luck (and Hollywood) will have it, there is a much prettier ‘girl (Peggy Dow) waiting to take her place. ._This-Miss Dow’s prettinessjarred a little on me. I don’t mean to suggest that a pretty girl is wasted on a blinded soldier. I was just depressed once again by the thought that Hollywood cannot cope with notions of love, compassion, and the gentler virtues except in terms of the cover-girl convention. Miss Dow was just too neat and tidy a solution. Admittedly, blindness is a difficult subject to handle, and the problem is to keep within bounds, but Bright Victory does not succeed very well in this, and in consequence suffers by comparison with some other "rehabilitation" films.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19520229.2.37.1.3
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 26, Issue 660, 29 February 1952, Page 17
Word count
Tapeke kupu
220BRIGHT VICTORY New Zealand Listener, Volume 26, Issue 660, 29 February 1952, Page 17
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.