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Author and Publisher

OST of us can take crime or even fantasy in half-hour doses, but, when a play lasts for an hour and a

hast aS did Hdouard Bourdet’s Prize Novel (1YC), we expect something fairly substantial. This piece, however, amply justified its Selection. A skilful satire on the French literary scene and the writer’s use of real-life material, it had a rare sparkle and incisiveness. The best part, I thought, was the first act in the office

of the publisher (Moscat, unless my ears deceive me) where the award of the "Zola Prize" was rigged beforehand. This witty scene confirmed my suspicion : that the Goncourt Prize is usyally awarded by plucking a name out of a hat. Moscat’s flow of critical clichés and his aphorisms for authors ("Never kill your characters; you never know when you may need them again") were delightful. Like many playwrights, Mr. Bourdet had some trouble in following up his initial idea, and my interest faded somewhat when we left the publishers, but a neatly ironical ending caught it again. Frederick Farley gave his usual reliable performance as the embarrassed prize-winner, and Joachim Kahn was suitably self-confident as Moscat, if a thought too hearty at times.

This article text was automatically generated and may include errors. View the full page to see article in its original form.I whakaputaina aunoatia ēnei kuputuhi tuhinga, e kitea ai pea ētahi hapa i roto. Tirohia te whārangi katoa kia kitea te āhuatanga taketake o te tuhinga.
Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/periodicals/NZLIST19511207.2.47.2

Bibliographic details
Ngā taipitopito pukapuka

New Zealand Listener, Volume 25, Issue 649, 7 December 1951, Page 25

Word count
Tapeke kupu
202

Author and Publisher New Zealand Listener, Volume 25, Issue 649, 7 December 1951, Page 25

Author and Publisher New Zealand Listener, Volume 25, Issue 649, 7 December 1951, Page 25

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