Naturalist
T isn’t easy to decide what makes for success in radio speaking. Particular knowledge of the subject, colloquial ease balanced with a certain formality, economy of expression, enthusiasm — these are obvious assets. Another, I feel, is
familiarity. If we hear a speaker often’ enough, we can come, as we do with friends, to accept as likeable reflections of personality, some things which might grate at first. The NZBS is wise in not forcing all speakers into the BBC mould of bloodless impersonality, but in allowing, within reason, the retention of individual ways of speech, On these grounds I would nominate Crosbie Morrison, of the Wild Life and Junior Naturalists’ Club sessions as the best natural radio speaker I know. He is a mine of interesting information; he can be devastating on popular fallacies, but he never condescends to his audience, aware, no doubt, that it contains at least as many adults as children. His ease and his drive provide a friendly atmo’ sphere in which each listener can imagine he is being addressed personally. It isn’t surprising that he has lasted so long, while others with neater phras- | ing and "the voice beautiful" have fal-
len by the wayside.
J. C.
R.
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/periodicals/NZLIST19510727.2.20.4
Bibliographic details
Ngā taipitopito pukapuka
New Zealand Listener, Volume 25, Issue 630, 27 July 1951, Page 10
Word count
Tapeke kupu
203Naturalist New Zealand Listener, Volume 25, Issue 630, 27 July 1951, Page 10
Using this item
Te whakamahi i tēnei tūemi
Material in this publication is protected by copyright.
Are Media Limited has granted permission to the National Library of New Zealand Te Puna Mātauranga o Aotearoa to develop and maintain this content online. You can search, browse, print and download for research and personal study only. Permission must be obtained from Are Media Limited for any other use.
Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
Copyright in the Denis Glover serial Hot Water Sailor published in 1959 is owned by Pia Glover. The National Library has been granted permission to digitise this serial and make it available online as part of this digitised version of the Listener. You can search, browse, and print this serial for research and personal study only. Permission must be obtained from Pia Glover for any other use.