Barrie Fantasy
EARED by the red-hot immediacy of the dramas of Odets and O'Neill we are now perhaps too case-hardened to take public pleasure in the more fanciful fantasies of J. M. Barrie, but in the privacy of the home we can relish him to the full. Last week I heard Rosalind, a delightful bit of frippery about a famous actress who sneaks off once in a while to pose as her own. mother and put her feet up on the comfy couch of middle-age. It’s a play I’ve never seen on the stage, and I can see that most producers would boggle at attempting it, so easily could the illusion be shattered by a too kittenish actress or a too heavy-handed make-up man. But the radio version had Phyllis Neilson-Terry in the name part and no problems of quick-change mechanics, and the gossamer of Barrie’s invention was unimpaired. The play was prefaced by a rather pointless reminiscence of Barrie by Frank Swinnerton-or rather, not so much pointless as pointing in the wrong direction, in this case to the merits of Daisy Ashford’s Little Visitors.
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https://paperspast.natlib.govt.nz/periodicals/NZLIST19510525.2.19.6
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New Zealand Listener, Volume 24, Issue 621, 25 May 1951, Page 11
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185Barrie Fantasy New Zealand Listener, Volume 24, Issue 621, 25 May 1951, Page 11
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Copyright in the work University Entrance by Janet Frame (credited as J.F., 22 March 1946, page 18), is owned by the Janet Frame Literary Trust. The National Library has been granted permission to digitise this article and make it available online as part of this digitised version of the New Zealand Listener. You can search, browse, and print this article for research and personal study only. Permission must be obtained from the Janet Frame Literary Trust for any other use.
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